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This series of charcoal portraits draws from my weekly life-drawing sessions, but also includes reinterpretations, and master studies, honoring the work of past artists while engaging in a contemporary dialogue with their compositions. Charcoal drawing forms a cornerstone of my practice, providing a consistent almost daily discipline that sharpens observation and deepens engagement with form.
This series of charcoal portraits draws from my weekly life-drawing sessions, but also includes reinterpretations, and master studies, honoring the work of past artists while engaging in a contemporary dialogue with their compositions. Charcoal drawing forms a cornerstone of my practice, providing a consistent almost daily discipline that sharpens observation and deepens engagement with form.
Interlude I - Ethan
Interlude II - Alexandra
A Life Story
Interlude III
Mark
Lamont
Nabil
After Frank Dicksee - master study with circle
After Frederick MacMonnies
After Vittorio Matteo Corcos “Sogni” - interpretation in charcoal
Master study of John S. Sargent’s Lady Elizabeth Bowles-Lyon
Master study of Thea Proctor
Master study of John S. Sargent’s Crescenzo Fusciardi
After John Singer Sargent’s Daisy Fellowes - with red circle
Master study after Ramon Casas
After Ramon Casas
After JC Leyendecker - Interpretation in charcoal
After Ramon Casas
Alejandra
Master study after John Singer Sargent
Master study after Ivan Kramskoi
After John S. Sargent
Master study after Nicholai Fechin
Master study after Frederick MacMonnies
Madhumita